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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 20, No 1 (2022)" : 8 Documents clear
Batu Tumbuk as A New Creation Dance: Art and Culture Preservation Through Time Muhammad Syafiq Azam; Sumathi Maniam; Muhammad Fazli Taib Saearani
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4019

Abstract

This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this research was qualitative. Data collection was conducted by using observational methods, unstructured interviews, and library methods. The findings of this research show that the choreography of Batu Tumbuk dance has undergone the creative process of movements and development in terms of composition in the performances presented. Based on the various elements of Malay traditional dance, it is shown that the development processes of Batu Tumbuk dance include actions such as casting, floor patterns and additional props as forms of dance creations. The implications of this research could benefit local choreographers in providing the reference for understanding the terms and concepts of the New Creation dance choreography that continues the original tradition, as a source to be processed and developed in accordance with the passage of time aimed to preserve cultural art heritage.
Innovation and Creativity of Indonesian Musicians during the Covid-19 Pandemic Rachzonja Adhy Kirana Putra; Santosa - Soewarlan
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4098

Abstract

Pandemic Covid has widespread in Indonesia since early 2020 resulting in some artistic activities paralysis. In performing arts artist are banned to make crowd, direct contact between individuals, and to travel to other cities. This causes musicians to loose opportunity to perform on the stage. To fill the void some groups of musicians find a way to make music by using digital platforms. Some of the virtual activities are: Virtual Live Music Concert, Virtual Tapping Music Concert, Drive-in Music Concert, Virtual Online Music Class, and Podjam among musicians. These have revolved in keeping the creative process among musicians in their homeland. 
Innovative Learning Arts and Culture during the Pandemic in Junior High School Ari Irfan Fahruddin; Agus Cahyono
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.3980

Abstract

The online learning is a new thing in learning cultural arts at Islamic Junior High School Al-Azhar BSB City Semarang, it is an interesting and challenging things because of the presence of students who come from several different places. During the COVID-19 pandemic, the teacher applied several different methods to make students more pro-active and think critically. Innovation begins with changing learning strategies, learning patterns and assessments in the learning process. This study aims to determine learning innovations in cultural arts subjects during the COVID-19 pandemic by using a qualitative descriptive approach method which interviews directly with teacher at Al-Azhar 29 Islamic Junior High School, BSB City Semarang. Data analysis using data triangulation with data processing techniques using data reduction, display data and conclusions. The results of this study indicate the existence of innovations in learning cultural arts at Al-Azhar 29 Islamic Junior High School, BSB City Semarang, including; improving learning strategies, learning media, learning management, and critical assessment systems for students.
Pragmatic Expression of Bedhaya Sukma Raras: a Reactualization of Holisticity in Life Maryono Maryono; Midiyanto Midiyanto
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4365

Abstract

The Bedhaya Sukma Raras dance by Hadawiyah Endah Utami,  presented at a gathering of choreographers, was inspired by the journey of human life as it moves towards death. The complementary forms of verbal and nonverbal components in Bedhaya Sukma Raras implicitly offer a concept encased in the aesthetic expression of the dance about human awareness of doing good throughout the transient life in this world, in order to welcome an afterlife that is immortal and full of joy. This research uses a qualitative methodology. The data collection strategies include a library study, interviews, a visual study of dance recordings, an audio study of music recordings, documentation and study of archives of verbal transcripts of literature about songs and vocabulary of dance movements. The results show that in principle human life must seek to preserve a balance between the world and the hereafter. This means that microcosmically, in fulfilling their daily needs, human beings must work hard, prioritize virtue, and pray for God’s guidance so that macrocosmically, in the afterlife their sins will be forgiven and they will enter the heaven of the Creator.
The Role of Typography in Loki Serial Title Louis Cahyo Kumolo Buntaran; Agnes Indah Suciani Kristanti; Alfons Christian Hardjana
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.3963

Abstract

This research discusses the use of typography in the title of the Loki series. As a title design, the Loki series received unfavorable comments, especially on its aesthetics. The purpose of this study was to find out how typographic elements are applied in the title of the Loki series. This type of research is qualitative using content analysis methods. It is known that the title of Loki series puts forward functions in the typographic design. So that the design is able to represent the content of the message in the story.
The Concept of Nyarira Lagu in Jineman Maduswara, A New Sindhenan Tradition Composed by Peni Candra Rini Peni Candra Rini; Pande Made Sukerta
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4337

Abstract

"Maduswara" is a new musical work whose creation is based on memoirs, or the journey of Peni Candra Rini's in interpreting the sounds she has encountered. The memoir in question is the composer's memory from childhood when he first knew the tembang macapat, which was later termed as wiji tembang. The song continues to develop into a sound journey when the artist grows up, enters a formal karawitan school, and becomes a tembang lecturer in the musical department at the Indonesian Institute of the Arts Surakarta.The method of creation used is through several stages inspired by the composer's personal process, namely (1) reflection, (2) dialectics, (3) giving the tone of expression, (4) determining the form, (5) determining the medium, (6) compiling compositional musical notation, (7) transmedium, (8) practice, (9) improvisation.These steps of creation finally found a concept of nyarira lagu which was built on 5 indicators, namely; (1) language, (2) voice, (3) expression, (4) spirituality, and (5) improvisation
Adaptation of Mother’s Character in Putu Wijaya’s Monolog “Ibu Sejati” Andi Aryani
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4178

Abstract

The Bugis-Makassar cultural community has a firm and courageous character. The character can be created through the cultural values contained in the Panngaderreng concept (ade, rapang, wari, bicara, sara). The Monolog, Ibu Sejati by Putu Wijaya, tells of a woman who is in a dilemma, having to choose between her son making a crime or enforcing the law. This study aims to create the character of the mother in Putu Wijaya’s Monolog, IbuSejati, based on the Panngaderreng concept. The reseach on the creation of this Monolog is a form of adaptation, namely examining the female characters of Bugis-Makassar and embodied in performances.
Basajiwa: Do It Yourself Innovation of Indonesian Batik Education Jessefan Isaiah Wihewuren; Elisabeth Christine Yuwono; Vanessa Yusuf
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4231

Abstract

Batik as an Indonesian culture has many relations towards Indonesian traditions. Its long production process has created stigma and the youths' disinterest in batik. DIY (Do It Yourself) batik products can be the answer on how to educate and attract youths' interest in Batik Indonesia. DIY batik products are innovative and must be created to pass down batik culture to youths. Through Basajiwa and its batik DIY products, youths will be able to recognize and engage in batik culture. Motifs such as Parang Rusak, Parang Centhung, Semen Ageng Sawat Gurdha, and Kawung Sen/Beton are designed to represent some Indonesian batik motifs. The existence of DIY batik products and Basajiwa are further investigated by means of descriptive qualitative analysis research and SWOT Method. Outputs consist of facts about some Indonesian batik motifs, brand analysis of Basajiwa as DIY batik brand, and effects of DIY batik on youths. It is concluded that Basajiwa and its DIY batik products are able to be the correct solution to generate interest of youths towards batik Indonesia because it becomes a self-healing activity and to de-stress for a while.

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